{"id":1293,"date":"2009-11-09T03:01:40","date_gmt":"2009-11-09T03:01:40","guid":{"rendered":"http:\/\/www.varka.org\/?p=1293"},"modified":"2009-11-09T03:01:40","modified_gmt":"2009-11-09T03:01:40","slug":"diena-lv-loengrins-no-varka-kru","status":"publish","type":"post","link":"https:\/\/www.varka.org\/?p=1293","title":{"rendered":"Diena.lv: Loengr\u012bns no Varka Kru"},"content":{"rendered":"<p><a href=\"http:\/\/www.diena.lv\/lat\/izklaide\/filmas\/filmu_arhivs\/loengrins-no-varka-kru?print=true\">Izklaide, kult\u016bra, notikumi, kritika, recenzijas : Diena.lv<\/a> another &#8220;Loengins &#8230; &#8221; review by Normunds Naumanis, Piektdiena, 6. novembris (2009) 14:51:<\/p>\n<p>Kinote\u0101tr\u012b K.Suns 6.novembr\u012b s\u0101k demonstr\u0113t Viestura Kairi\u0161a dokument\u0101lo filmu Loengr\u012bns no Varka Kru<br \/>\nV\u0101gners pa\u0123\u0113r patosu un p\u0101rcilv\u0113ku kl\u0101tb\u016btni. Un, kaut ar\u012b Loengr\u012bns (1850) un Tristans un Izolde (1865) ir no liriskaj\u0101m v\u0101cu \u0123\u0113nija oper\u0101m, nevaru noliegt, ka latvie\u0161u olimpie\u0161a kamani\u0146brauc\u0113ja M\u0101rti\u0146a Rube\u0146a t\u0113ls pirmaj\u0101 acumirkl\u012b nek\u0101di neasoci\u0113jas ar V\u0101gnera epoh\u0101l\u0101 st\u0101sta varoni &#8211; viduslaiku bru\u0146inieku no Monsalvatores pils &#8211; ar vi\u0146a balto gulbi un ve\u013cu laivu. T\u0101d\u0113\u013c jaun\u0101s dokfilmas rekl\u0101mas materi\u0101los min\u0113tos v\u0101rdus &#8220;ambiciozs varonis&#8221; (par M.Rubeni) pr\u0101ts nes\u0101s dr\u012bz\u0101k attiecin\u0101t uz re\u017eisoru Viesturu Kairi\u0161u, nem\u012b\u013cupr\u0101t ignor\u0113jot faktu, ka Viesturs patie\u0161\u0101m ir lab\u0101kais V\u0101gnera operu interprets Latvij\u0101 (sk. vi\u0146a inscen\u0113to Valk\u012bru un jo sevi\u0161\u0137i Z\u012bgfr\u012bdu LNO).<br \/>\nTa\u010du filmas Loengr\u012bns no Varka Kru stund\u0101 un divdesmit min\u016bt\u0113s notiek br\u012bnumaina p\u0101rv\u0113rt\u012bba, k\u0101 parasti gad\u0101s tikai si\u017eetiski pamat\u012bgi, tom\u0113r sol\u012bti pa sol\u012btim skrupulozi izrisin\u0101t\u0101 sp\u0113lfilm\u0101, &#8211; ies\u0101kum\u0101 &#8220;lec\u012bgais spruksti\u0146\u0161&#8221;, kur\u0161 zina savu cenu un ne \u012bpa\u0161i p\u0101rliecino\u0161i no ekr\u0101na b\u0101rsta ban\u0101las dz\u012bves gudr\u012bbas, kop\u0101 ar filmas grupu pieradina pie sevis, pie \u0161\u0101da pa\u0161t\u0113la un pier\u0101da, ka vi\u0146a klusajos \u016bde\u0146os m\u012bt lielas zivis. Proti, re\u017eisors kop\u0101 ar nevainojami k\u0101rt\u012bgo operatoru Gintu B\u0113rzi\u0146u un &#8220;savu&#8221; varoni M.Rubeni apliecina, ka cilv\u0113ku nevar v\u0113rt\u0113t pavir\u0161i, piec\u0101s min\u016bt\u0113s, ka ir nepiecie\u0161ama k\u0101da v\u0101rdos gr\u016bti formul\u0113jama &#8220;kritisk\u0101 masa&#8221; &#8211; darbu, r\u012bc\u012bbu, domu da\u017e\u0101d\u012bbas kopums -, kur\u0101 tu s\u0101c skat\u012bties uz filmas person\u0101\u017eu piln\u012bgi cit\u0101m ac\u012bm. Varb\u016bt vienk\u0101r\u0161i bez aizspriedumiem par veiksm\u012bgu, bet lec\u012bgu sportistu, kuram drusku sak\u0101pis galv\u0101 (smiekl\u012bgi, jo n\u0101kas pat pie sevis klus\u012bt\u0113m nokaun\u0113ties, kad M\u0101rti\u0146\u0161 p\u0113c &#8220;\u0136\u012bnas protesta akcijas&#8221; kadr\u0101 lasa interneta anon\u012bmos koment\u0101rus par sevi, protams, neglaimojo\u0161os).<br \/>\nRube\u0146a saist\u012bba ar p\u0101rpasaul\u012bgo V\u0101gnera m\u016bziku, turkl\u0101t ne kari\u0137\u0113ta t.s. v\u0101gnerroka jeb grupu Laibach vai Rammstein hardcore parodijstilistik\u0101 film\u0101 k\u013c\u016bst organiska k\u0101 paties\u0101, vien\u012bg\u0101 iesp\u0113jam\u0101 \u0101da, kas saudz\u012bgi ap\u0146em br\u012b\u017eam atkailin\u0101to M\u0101rti\u0146a &#8220;gar\u012bgo miesu&#8221;, raisot jut\u012bgu ticam\u012bbu uz ekr\u0101na fiks\u0113tajam un l\u012bdz ar to dzi\u013cu cilv\u0113cisku l\u012bdzp\u0101rdz\u012bvojumu (epizode par mammas n\u0101vi, mulsi nolemtais savi\u013c\u0146ojums tuk\u0161aj\u0101 V\u0113rma\u0146d\u0101rz\u0101, kur\u0101 Rubenis ar domubiedriem protest\u0113 pret cilv\u0113kties\u012bbu p\u0101rk\u0101pumiem komunistiskaj\u0101 \u0136\u012bn\u0101, intens\u012bvai gar\u012bgai medit\u0101cijai un d\u012bvaini pag\u0101niska, tom\u0113r plastiski skaista baleta horeogr\u0101fijai l\u012bdz\u012bgie koncentr\u0113\u0161an\u0101s mirk\u013ci pirms starta).<br \/>\nSav\u0101 zi\u0146\u0101 Kairi\u0161s rad\u012bjis filmu par m\u0101k slinieku. Ne tikai \u0161\u012b v\u0101rda \u0101r\u0113j\u0101s &#8211; artistiskaj\u0101s, k\u0101dam varb\u016bt \u0161\u0137it\u012bs &#8211; komiskaj\u0101s &#8211; izpausm\u0113s, piem\u0113ram, kad M.Rubenis &#8211; vi\u0146\u0161 ar\u012b DJ Betons &#8211; kop\u0101 ar saviem krievu rastamanu draugiem no &#8220;domubiedru grupas&#8221; Varka Kru &#8220;izpild\u0101s&#8221; k\u0101 baigie drum&#8221;n&#8221;bass m\u016bzi\u0137i kaut k\u0101dos kaktu tusonos. Filma iem\u016b\u017ein\u0101jusi jaunu cilv\u0113ku, kur\u0161 daudz s\u0101pju &#8211; ij tuvinieku zaud\u0113juma, ij element\u0101ri fizisku \u0137erme\u0146a moc\u012bbu, ij sporta ne\u017e\u0113l\u012bg\u0101s &#8220;sekundes simtda\u013cu&#8221; s\u0101ncens\u012bbas zaud\u0113jumus &#8211; pieredz\u0113jis, tom\u0113r joproj\u0101m sp\u0113j un prot l\u016bkoties sav\u0101 n\u0101kotn\u0113 k\u0101 cilv\u0113ks, kur\u0161 grib (ja te piedien cit\u0113t \u010cehovu). K\u0101 cilv\u0113ks, kur\u0161 nenokar degunu un raug\u0101s uz dz\u012bvi, es neteik\u0161u, filosofiski, bet gan apcer\u012bgi. K\u0101 m\u0101kslinieks, kam refleksija par dz\u012bvi ir tikpat b\u016btiska k\u0101 dz\u012bves dz\u012bvo\u0161ana.\u00a0<a class=\"personlink\" style=\"color: #333333; text-decoration: none; \" href=\"https:\/\/www.lursoft.lv\/llb?act=PRESSPERS&amp;SessionId=53106575&amp;id=000001070\">M\u0101rti\u0146\u0161 Rubenis<\/a> ir cilv\u0113ks &#8211; Gesamt kunstwerk, cilv\u0113ks &#8211; v\u0101gneriskais tot\u0101lais m\u0101kslas darbs, ja, protams, v\u0101rdi &#8220;m\u0101ksla&#8221; un &#8220;b\u016bt pa\u0161am\/b\u016bt sev&#8221; ir sinon\u012bmi. No \u0161\u0101da skatpunkta, j\u0101atz\u012bst, Viestura Kairi\u0161a &amp; Co konstru\u0113tais m\u016bslaiku varo\u0146a sportista portrets ir revolucion\u0101rs, jo filma sp\u0113c\u012bgi manifest\u0113 cilv\u0113ciska ego privil\u0113\u0123iju. J\u0101, j\u0101, ego, bet cilv\u0113ciska. Tie\u0161i t\u0101p\u0113c M\u0101rti\u0146\u0161 Rubenis atkl\u0101jas k\u0101 romantiski m\u012b\u013c\u0161 m\u016bslaiku teiksmas par labo Latviju bru\u0146inieks. Varb\u016bt t\u0101ds vien\u012bgais. Savu raguti\u0146u ce\u013c\u0101 Tur\u012bna-At\u0113nas-R\u012bga-&#8230; Un vi\u0146a raguti\u0146\u0101s ir emocion\u0101li bieza krava.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izklaide, kult\u016bra, notikumi, kritika, recenzijas : Diena.lv another &#8220;Loengins &#8230; &#8221; review by Normunds Naumanis, Piektdiena, 6. novembris (2009) 14:51: Kinote\u0101tr\u012b K.Suns 6.novembr\u012b s\u0101k demonstr\u0113t Viestura Kairi\u0161a dokument\u0101lo filmu Loengr\u012bns no Varka Kru V\u0101gners pa\u0123\u0113r patosu un p\u0101rcilv\u0113ku kl\u0101tb\u016btni. Un, kaut ar\u012b Loengr\u012bns (1850) un Tristans un Izolde (1865) ir no liriskaj\u0101m v\u0101cu \u0123\u0113nija oper\u0101m, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.varka.org\/?p=1293\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Diena.lv: Loengr\u012bns no Varka Kru&#8221;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1293","post","type-post","status-publish","format-standard","hentry","category-news","entry"],"_links":{"self":[{"href":"https:\/\/www.varka.org\/index.php?rest_route=\/wp\/v2\/posts\/1293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.varka.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.varka.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.varka.org\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.varka.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1293"}],"version-history":[{"count":0,"href":"https:\/\/www.varka.org\/index.php?rest_route=\/wp\/v2\/posts\/1293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.varka.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.varka.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.varka.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}